BlackBook Backstage: Beauty Tips For NYFW Looks
Richard Chai Love
Makeup: Using a MAC Cosmetics liner (in Dirty Blonde), James Kaliardos created a ’60s-inspired “floating contour” that outlined slightly above the lash line. The rest of the face was paled out and kept nude with MAC’s lip conditioner and lip concealer (in Dim).
Hair: Kevin Ryan of Aveda parted the hair in two sharp angles and sleeked it back into a low ponytail. To achieve this shiny, “sporty” look, he used gel and finished with plant-derived hair oil.
Nails: For a subtle shimmer effect, Julep’s lead nail stylist Jane Park used a liquid gold polish with a matte top coat (in Sienna).
Creatures of the Wind – Shane Gabier and Chris Peter
Inspiration: “1960s culture”
Makeup: Nars’ Global Director of Artistry James Boehmer combined a velvet matte lip pencil (in Damned) and lipstick (in Fire Down Below) for the cranberry eye shadow effect, then lined the lower lashes with a silver shadow (in Factory Girl) and thick silver liner (from the Andy Warhol collection).
Hair: Odile Gilbert of Kérastase Paris used an origami-inspired folding technique to keep the models’ sleek, straight hair short. Stylists then completed the look with 60s-inspired hairnets.
Nails: Essie’s lead nail tech Ana-Maria kept things simple with two coats of a solid rose beige polish (in Topless and Barefoot).
Honor – Giovanna Randall
Makeup: For a natural look, Romy Soleimani, with Stila for Beauty.com, hydrated using Erno Laszlo’s Light Controlling Lotion, followed by Stila’s Stay All Day Foundation & Concealer. She then mixed a white eye shadow (in Opal) with Erno Laszlo’s Luminous Eye Complex, curled the lashes, and added the Glamoureyes mascara. A touch of lip gloss (in Banana), custom blush, and shimmer powder (in Kitten) finished the look.
Hair: Using Bumble and Bumble’s Thickening Hairspray and Surf Spray to set a base, James Pecis styled two French braids tightly against the head (representing “muscles and filaments”), which he gathered and wrapped naturally at the nape of the neck. Rhinestone pins were then tucked into the back of the braid.
Nails: “The makeup was natural with some highlighting, but we didn’t want shimmer on the nail,” said Deborah Lippmann, who useda white-on-white combination (two coats of Amazing Grace and one coat of Like A Virgin), topped by a new polish (launching in the spring) that has the same high-shine effect as a gel manicure.
Collages by Maggie Duffy/Images courtesy of Imaxtree.com and Gorunway.com