Smooth Monday Jams: Canadian Edition
Hello! Kim Robinson here, one-half of the awesome party Sea Level that I put on with your regular scribe, Obey City.
For this week’s edition of Smooth Monday Jams, I’ve decided to take us on a journey northward to visit our pals in Canada. While some of the best smooth music has come from the states, there is no denying that the Canadians have a respectable catalog of smooth cuts. Here’s five songs that’ll tell you what some of our Canadian friends are aboot.
Dont forget: Sea Level has moved to Wednesdays at The Tender Trap, with the next party happening on March 6th! Come check us out and vibe to the smooth jams that will have you smiling throughout the rest of your week. Like Sea Level on Facebook to receive updates on our event
Destroyer – "Kaputt" (2011)
Dan Bejar of Destroyer excels at writing low-maintenance glam rock and indispensable smooth jams like the title cut from his album Kaputt. From the beginning of the track you know he means business with the filthy saxophone treatments sprinkled throughout. It’s a truly epic smooth jam that just keeps going on and on.
Feist – "One Evening" (2004)
Everyone knows Leslie Feist for the monster indie hit "1,2,3,4," but upon heavy inspection of her catalog we know that she’s a big fan of sultry R&B akin to Sade and Maxwell. Check this awesome video and song for this sleeper cut from the album Let It Die.
Gonzales – "Slow Down" (2008)
What can’t Gonzales do? Besides producing music for our previous artist Feist, he’s also worked with electroclash icon Peaches. On the side he plays amazing live solo piano recitals and records smooth jams for the intimate moments he’s created as a solo artist .
Joni Mitchell – "Coyote" (1976)
You can’t go to Canada without visiting Joni. I’m a big fan of her early folk stuff, but have began to fully embrace her fusion-jazz work of the late ’70s. This track featuring the late, great bassist Jaco Pastorius was her first full jump into fusion, adding her beautiful vocals to a smooth jazzy landscape.
Drake – "Karaoke" (2010)
Produced by Sea Level fave Francis Starlight of "Francis & The Lights," this deep-cut was on Drake’s debut album, Thank Me Later. Over a smooth synth beat, Drake laments a lost love that doesn’t want the spotlight or attention of his new fame at the time. Sea Level would like to see more collaborations like this, especially when the results are this smooth. Thanks, Canada!
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