Marianne Faithfull and Others Pay Tribute to The Rolling Stones
It’s been forty years since The Rolling Stones released Hot Rocks, their first best-of compilation which included their biggest hits from the years 1964 to 1971. The album is still the Stones’ biggest-selling to date, and includes enough material for a huge tribute concert. Such an event took place last night at Carnegie Hall under the supervision of City Winery’s Michael Dorff, who culled together an impressive line-up of classic rock ‘n’ rollers and a handful of revered indie acts for a mind-blowing concert in celebration of one of the greatest bands in rock and roll history.
Stand-outs included Steve Earle performing “Mother’s Little Helper” (“This is the first song he learned to play on guitar,” he announced, “which is probably why I’m so fucked-up”), The Mountain Goats with a toned-down piano-heavy version of “Paint It Black, a surprisingly bluesy and suble "Heart of Stone" from Peaches, Rosanne Cash’s sultry voice leading vocals on “Gimme Shelter” (she later joined Jackson Browne and Marc Cohn to perform “Wild Horses”), and actress and singer Juliette Lewis, who kicked off her sequined heels and jumped and jived across the stage during her rendition of “Satisfaction.”
Opening the show was Italian rapper Jovanotti, members of TV on the Radio, and the Young Audiences New York Chorus with a spirited rendition of “You Can’t Always Get What You Want,” which actually closes the album but was performed first on account of it being a school night. Taj Mahal, who performed at last week’s Robert Johnson tribute, brought his daughter Deva Mahal to join him in a deep country rendition of "Honky Tonk Women." I shouldn’t even have to mention how amazing it was to see rock legend Marianne Faithfull in person, much less to hear her perform “As Tears Go By,” the song that Mick Jagger and Keith Richards wrote especially for her. After the proper Hot Rocks line-up, Faithfull returned to the stage to perform “Sister Morphine,” which she co-wrote with Jagger. It was enough to cancel out the only low point of the night when The Swell Season’s Glen Hansard, who ended his cover of “Under My Thumb” with the chorus from Them’s “Gloria,” as if he decided that Van Morrison needed some representation.
Proceeds from the show went to charities Church Street School for Music & Art, The Pinwheel Project, Music Unites, The American Symphony Orchestra, Young Audiences New York, Fixing Instruments for Kids in Schools, Midori and Friends, The Mr. Holland’s Opus Foundation, and The Center for Arts Education.
Check out the video below for a short clip of the entire line-up performing “Tumbling Dice” from the seminal Exile on Main Street as the encore.
Photo by Bobby Bank