Check Out Terry Gilliam’s Director’s Statement for ‘The Zero Theorem’ + a New Poster

Back in June, we all perked up with excitement at the first taste of Terry Gilliam’s latest feature The Zero Theorem. Now set to premiere at the Venice Film Festival in just a few weeks, the highly-anticapted film:

Stars a futuristically bald Christoph Waltz, whose career arc is becoming the envy of every serious film actor, as The Zero Theorem concerns a poor computer hacker set to an impossible task (making a nonzero number equal zero, as in a wonderful short story by Ted Chiang). Of course, he’ll also have to contend with what looks to be Gilliam’s most frighteningly gaudy dystopia since Brazil itself.
Also starring Tilda Swinton, Matt Damon, David Thewlis, Ben Whishaw, Peter Stormare, Sanjeev Bhaskar and Melanie Thierry, today there’s not only a new poster for the feature but a director’s statement from Gilliam. I won’t say any more. See for yourself.
When I made Brazil in 1984, I was trying to paint a picture of the world I thought we were living in then. The Zero Theorem is a glimpse of the world I think we are living in now. Pat Rushin’s script intrigued me with the many existential ideas he had incorporated into his funny, philosophic, and touching tale. For example: What gives meaning to our lives, brings us happiness? Can we ever be alone in our increasingly connected and constricted world? Is that world under control or simply chaotic? We’ve tried to make a film that is honest, funny, beautiful, and surprising; a simple film about a complex modern man waiting for a call to give meaning to his life; about inescapable relationships and the longing for love, full of quirky characters and sparkling performances; raising questions without offering obvious answers. Hopefully, it’s unlike any film you have seen recently; no zombies, no caped crusaders or alien spacecraft. Actually, I might have lied about that last item. Having not worked with a budget this small for several decades, I was forced to work fast and instinctively, pressured only by time and money. We relied on the freedom to spin on a dime, to make outrageous creative leaps. The results surprised even me. I’m proud to have been part of The Zero Theorem.
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