Counter Intelligence: The Waverly Inn’s John DeLucie
Nightly they come, exiting chauffeured limos and Maybachs, rushing by the paparazzi, and entering a Bilbo Baggins-sized door into the magical labyrinth called The Waverly Inn. There’s no need to name them. “They” have all been there, whether strolling from neighboring West Village brownstones (“Hey, Hah-vee! Can we get one shot?”), or “just in” from Los Angeles. Cannes. Sundance. Turks. Rehab.
And there are the editors, the owners, the Dillers, the glamour pusses, the disheveled ink-stained wretches with a National Magazine Award nom under their belts too. Co-owner Graydon Carter sees to the private A-list, which has not increased by much since it opened with no public reservations (but for the chosen few, access via a secret email and contact number) two years ago. Skeptics predicted a backlash, a fallout — didn’t happen.
The Waverly works because of its staff of wry and calm pros, and the guy in (and out of) the kitchen who keeps it real. In his chef whites (but thank you, no Pillsbury hat), John DeLucie, 46, traverses the wood-planked bar giving equal attention to walk-ins and presidential hopefuls. Lindsay Lohan with a gaggle of look-alikes does not faze either. She’s from Long Island, just like Amy Fisher!
A snob he’s not; his cuisine is accessibly sublime. Enough about the truffled macaroni. His chicken entrées, the beet salad, a perfect bowl of chili, those damnable biscuits are good enough for us. Here, we asked for dish, but got something more satisfying as DeLucie took morning time off to talk at Nolita’s no-less-buzzy Café Habana.
BLACKBOOK: How did you get the job as chef of the Waverly? CHEF JOHN DELUCIE: I was riding my Schwinn three-speed aimlessly around the Village one morning and saw a “FOR RENT” sign in its window. The former operators had seemingly abandoned the place. I was friendly with a neighbor who knew the landlord. I called [co-owners] Eric Goode and Sean MacPherson and said to them, I found a place for us. We signed the lease less than a month later.
What was your first impression of Vanity Fair Editor-in-Chief Graydon Carter? Initially, I was intimidated, but I soon found him to be a funny and engaging ball-breaker. He is so clever. I like being around him just to listen to his views on the restaurant, and on life in general. I can’t say enough about how his involvement has impacted The Waverly.
Did you like or dislike the idea of making food for celebrity-finicky palates? For some reason I have always found myself cooking for New York City’s cognoscenti, although not on the scale of The Waverly. It’s a career path, I guess. And the truth is, here, I have found that the boldest face names have been the most gracious and the least persnickety.
How did the truffled macaroni become such a “thing?” At the time we started it, most restaurants that were doing truffles were charging considerably more than us, but they were calling their dish “Pasta con Tartufi Bianco.” We called ours “mac and cheese with white truffles,” and the press went berserk.
Do you have favorite celebrity customers? I have a healthy respect for our clientele. They are some of the most accomplished, fascinating, and fabulous people ever. I would like them all to keep coming, so I’m going to remain taciturn about who they are.
Tell me about the book you are writing, The Hunger, and how free are you with what you say about working there? It will be published by HarperCollins next spring. It’s an anecdotal account of my cooking and life experiences in New York City over the past 25 years. It is wry and funny — I hope. The Waverly is represented, but not in the context of what some leading men’s magazine editor did or didn’t eat, or who he ate it with.
Where did you learn to cook? It originally came from my maternal grandmother. Growing up, my family lived in this giant brownstone in Brooklyn, and I would find my way to her kitchen and tugged on her apron. She would make me a snack of pastina with butter, or zucchini and eggs. Those food memories stayed with me. My mom was also a good cook, and there’s obviously the Italian thing; we have a marvelously rich food culture… and we also like to yell and scream and talk over each other at the table.
Where do you eat out in Manhattan? Any place where I can use one fork for the entire meal.
Do your peers give you guff about working at Celebrity Central? Chefs can be a covetous, jealous lot. I had a sous-chef who got into a brawl in a Lower East Side bar because a fellow chef — who worked in one of those midtown temples of gastronomy, with a lot of stars awarded to it by The New York Times — had referred to him as “the guy who makes those chicken pot pies.” Defending the honor of a flaky crust: I like it.